(Source: pium)

betonbabe:

MASAO KOMURA
‘UPHEAVAL COLLECTION’ / TRANSITIONAL STAGES OF A SHAPE COMPOSED OF A NETWORK OF LINES THAT MORPHES BETWEEN A  CUBE AND A STAR SHAPE BY MEANS OF RANDOM IMPROVISATION, 1960s

betonbabe:

MASAO KOMURA

‘UPHEAVAL COLLECTION’ / TRANSITIONAL STAGES OF A SHAPE COMPOSED OF A NETWORK OF LINES THAT MORPHES BETWEEN A  CUBE AND A STAR SHAPE BY MEANS OF RANDOM IMPROVISATION, 1960s

(via anaggggg)

gurafiku:

Japanese Poster: Ohara Daijiro Exhibition. Yuma Harada. 2012

gurafiku:

Japanese Poster: Ohara Daijiro Exhibition. Yuma Harada. 2012

betonbabe:

MAUGHAN S. MASON
COMPUTER-GENERATED GRAPHIC, 1960s
Mason visualized the desired pattern and then conceived a circuit arrangement which would produce the effect. He worked with an analogue computer in association with an XY plotter. The drawings were executed in black or colored inks.

betonbabe:

MAUGHAN S. MASON

COMPUTER-GENERATED GRAPHIC, 1960s

Mason visualized the desired pattern and then conceived a circuit arrangement which would produce the effect. He worked with an analogue computer in association with an XY plotter. The drawings were executed in black or colored inks.

(via wowgreat)

dept-intl:

Our curation of Shabazz Projects’ Ghosting No. 2 has launched.

Ghosting No. 2 was an exploration of thought, with an overarching concept of Contrast and Illumination. This idea lent itself to having many connotations, and took on many visual interpretations. The only requirement for the artists was to unapologetiaclly follow the direction they resonated with most, whether metaphorically, historically, or through technique.

Featuring original and archival works from: Elisabeth Schulze, Benjamin Niznik, Killian Loddo, Robert Seyrig, Swindle & Hawks, Benjamin Clark, Marcello Velho, Tommaso Sartori, Anders Nærø Tangen, Nicholas Feldmeyer, Brian Metcalf.

Out now at shabazzprojects.com